Hubbard Street returns to our Chicago home at the Harris Theater for Music and Dance to present a thrilling Winter Series program of works that probe the depths of human experience, choreographed by some of the most prolific voices in contemporary dance.
As the Wind Blows by AMY HALL GARNER
Touch & Agree by JUEL D. LANE (Company Premiere)
Gnawa by NACHO DUATO
Like “an exuberant burst of fresh air” (The Boston Globe), Amy Hall Garner’s effervescent full company piece As the Wind Blows (2022) returns to Chicago on the heels of Garner’s recent New York City Ballet and Alvin Ailey American Dance Theater commissions. New to the repertoire, the high-energy Touch & Agree by Juel D. Lane explores the nuances of modern relationships over a soundtrack featuring Sam Cooke, James Blake, H.E.R., and Byrell the Great. The sweeping Gnawa by Nacho Duato closes the program, a beloved full company work originally created for Hubbard Street in 2005 that Dance Magazine called an "almost religious experience."
Program Runtime: Approximately 1 hour and 35 minutes, including two 15-minute intermissions

*Performance includes post-show Curtain Talk with the artists
Performance includes ASL interpretation
Performance includes live Audio Description available upon request
NACHO DUATO |
NACHO DUATO, born in Valencia, Spain, started professional ballet training with the Rambert School in London at eighteen, expanding studies at Maurice Béjart’s Mudra School in Brussels and completing his dance education at The Alvin Ailey American Dance Centre in New York. In 1980 Duato signed his first professional contract with the Cullberg Ballet in Stockholm and a year later Jirí Kylián brought him to the Nederlands Dans Theater in Holland, where he was quickly incorporated into company and repertoire. His first choreographic attempt in 1983 turned into a major success: Jardí Tancat to Spanish/Catalan music by compatriot Ma del Mar Bonet won him the first prize at the International Choreographic Workshop (Internationaler Choreographischer Wettbewerb) at Cologne. Duato has created more than a dozen works for the two companies of Nederlands Dans Theater and in 1988 was named Resident Choreographer next to Hans van Manen and Jirí Kylián. His ballets form part of the repertoire of companies like Paris Opera, Cullberg Ballet, Nederlands Dans Theater, Les Grands Ballets Canadiens, Deutche Opera Ballet, Australian Ballet, Stuttgart Ballet, Ballet Gulbenkian, Finish Opera Ballet, The Royal Ballet, The Singapore Ballet, Tulsa Ballet Theatre, Pacific Northwest Ballet, San Francisco Ballet, The Washington Ballet, Hubbard Street Dance Chicago, North Carolina Dance Thatre, The Boston Ballet, The Gothemburg Ballet, The Royal Swedish Ballet, The Royal Danish Ballet, The Northen Ballet, Ballet du Capitole, Ballet du Rhin, Teatro Comunale Florence, National Ballet of Portugal, The Norweigian Ballet, National Theatre Tokio, The Universal Ballet, Stars Foundation Ballet, American Ballet Theatre, Tulsa Ballet Theatre, Staats Theater Berlin, Bolshoi Ballet, etc. From June 1990 until July 2010 Nacho Duato was Artistic Director of Compañía Nacional de Danza (Madrid-Spain). In 1995 he received the grade of Chevalier dans l’Ordre des Arts et des Lettres which is annually given by the French Embassy in Spain. In 1998 the Spanish Government awarded him the Golden Medal for Merit in the Fine Arts. At the Stuttgart Opera he was offered the Benois de la Danse, one of the most prestigious international awards for choreography, presented by the International Dance Association for his ballet Multiplicity, Forms of Silence and Emptiness, in April 2000. From January, 2011 he held the position of Artistic Director of Mikhailowsky Ballet (Saint Petersburg, Russia). In 2014 he became Intendant and Artistic Director of Berlin State Ballet (Germany). |
AMY HALL GARNER |
AMY HALL GARNER is a native of Huntsville, Alabama, and a graduate of The Juilliard School. Her work has been praised internationally and commissioned by Ailey II, ABT Studio Company, Collage Dance Collective, The Juilliard School, The Ailey School, Barnard College, The University of the Arts, Columbia Ballet Collaborative, Point Park University, and Central Pennsylvania Youth Ballet. Recently, she has received virtual commissions from BalletX, Dance Theatre of Harlem, the Guggenheim Museum’s Works & Process Digital Series, ABT Studio Company, Boulder Ballet and a virtual collaboration between Miami City Ballet and Paul Taylor American Modern Dance. She personally coached Grammy Award winner Beyoncé, providing additional choreography for The Mrs. Carter Show World Tour. Theatrical choreography credits include: The Color Purple (Milwaukee Repertory Theater) and Invisible Thread, associate choreographer (Second Stage Theater, NYC). In 2018, she was selected to participate in Alvin Ailey’s New Directions Choreography Lab supported by the Ford Foundation. Garner was one of the first recipients of the Joffrey Ballet’s Choreography of Color Award (now titled Winning Works). She is an adjunct professor at New York University’s New Studio on Broadway at Tisch School of the Arts. In 2021, Ms. Garner was a Virginia B. Toulmin Fellow at The Center for Ballet and the Arts. Currently, she is creating and reimagining the classical ballet narrative The Nutcracker, at Baltimore School for the Arts. |
JUEL D. LANE |
JUEL D. LANE has been noted as one of the most gifted dance talents in the country, and his awe-inspiring work today still yields this title. An Atlanta native, he received his early training from Tri-Cities High School,The Youth Ensemble of Atlanta, and The University of North Carolina School of the Arts. Lane is one of Dance Magazine’s “25 to Watch.” He has performed nationally and internationally with Ronald K. Brown/Evidence, and currently dances with Bessie Award-winning Camille A. Brown & Dancers. He has presented works on Ailey II, Dallas Black Dance Theater, Atlanta Ballet, Carolyn Dorfman Dance Company, and various universities. Dancer: The Metropolitan Opera, “Fire Shut Up In My Bones, Harlem, Amazon Prime Series, NBC Jesus Christ Superstar Live. Executive Artistic Associate with the Black Acting Methods Studio. Theatre Credits: True Colors Theatre: Spunk, Alliance Theatre: I DREAM, PCLO: Once (Associate Choreographer), The DCPA & ACT Theatre: Choir Boy. Bronzelens film festival award winner for, “The Maestro.” @jueldlane |
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INSIDE THE STUDIO
From its rich history with Hubbard Street to the mesmerizing musicality of the movement, go inside the studio to learn more about why Gnawa by world-renowned Spanish choreographer Nacho Duato has remained a beloved audience favorite since its debut just over 20 years ago.
In this episode, the Company Artists and Jim Vincent, Gnawa Stager and Former Hubbard Street Artistic Director, share key insights about the significance of Gnawa’s return and offer a behind-the-scenes look at this highly-anticipated remount as part of Season 48’s Winter Series.
INSIDE THE STUDIO
Go inside the studio with choreographer Juel D. Lane and the Hubbard Street Dancers as they share insights on the staging process of Lane’s high-energy Company Premiere, Touch & Agree. Originally created in 2009 and rejuvenated for today’s audiences by this collaboration with Hubbard Street, the quality of the work transcends time, place, and genre with its multi-faceted portrayals of how to navigate love and relationships.
INSIDE THE STUDIO
Filmed in 2022 ahead of its world premiere, this episode of Inside the Studio features choreographer Amy Hall Garner and the Company Artists sharing the effervescent and supportive experience of creating As the Wind Blows, a work that celebrates the joy of movement in the face of change.
Commissioned 4 years ago as one of the first new works for Hubbard Street's return to live performance after the pandemic shutdown, As the Wind Blows is a soul-stirring full company piece that reflects an openness to life's ever-evolving changes, both then and now.